Showing posts with label women's fiction. Show all posts
Showing posts with label women's fiction. Show all posts

🔦In the Bookish Spotlight🔦: The Golden Manuscripts by Evy Journey

 

 


Title: The Golden Manuscripts: A Novel

Author: Evy Journey

Pages: 360

Genre: Historical Fiction/Women's Fiction/Mystery

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A young woman of Asian/American parentage has lived in seven different countries and is anxious to find a place she could call home. An unusual sale of rare medieval manuscripts sends her and Nathan—an art journalist who moonlights as a doctor—on a quest into the dark world of stolen art.  For Clarissa, these ancient manuscripts elicit cherished memories of children’s picture books her mother read to her, nourishing a passion for art.  When their earnest search for clues whisper of old thieves and lead to the unexpected, they raise more questions about an esoteric sometimes unscrupulous art world that defy easy answers.   Will this quest reward Clarissa with the sense of home she longs for? This cross-genre literary tale of self-discovery, art mystery, travel, and love is based on the actual theft by an American soldier of illuminated manuscripts during World War II.
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November 2000

Rare Manuscripts

I sometimes wish I was your girl next door. The pretty one who listens to you and sympathizes. Doesn’t ask questions you can’t or don’t want to answer. Comes when you need to talk. 

She’s sweet, gracious, respectful, and sincere. An open book. Everybody’s ideal American girl. 

At other times, I wish I was the beautiful girl with creamy skin, come-hither eyes, and curvy lines every guy drools over. The one you can’t have, unless you’re a hunk of an athlete, or the most popular hunk around. Or you have a hunk of money.

But I’m afraid the image I project is that of a brain with meager social skills. The one you believe can outsmart you in so many ways that you keep out of her way—you know the type. Or at least you think you do. Just as you think you know the other two.

I want to believe I’m smart, though I know I can be dumb. I’m not an expert on anything. So, please wait to pass judgement until you get to know us better—all three of us. 

Who am I then? 

I’m not quite sure yet. I’m the one who’s still searching for where she belongs. 

I’m not a typical American girl. Dad is Asian and Mom is white. I was born into two different cultures, neither of which dug their roots into me. But you’ll see my heritage imprinted all over me—on beige skin with an olive undertone; big grey eyes, double-lidded but not deep-set; a small nose with a pronounced narrow bridge; thick, dark straight hair like Dad’s that glints with bronze under the sun, courtesy of Mom’s genes. 

I have a family: Mom, Dad, Brother. Sadly, we’re no longer one unit. Mom and Dad are about ten thousand miles apart. And my brother and I are somewhere in between.

I have no one I call friend. Except myself, of course. That part of me who perceives my actions for what they are. My inner voice. My constant companion and occasional nemesis. Moving often and developing friendships lasting three years at most, I’ve learned to turn inward. 

And then there’s Arthur, my beautiful brother. Though we were raised apart, we’ve become close. Like me, he was born in the US. But he grew up in my father’s home city where his friends call him Tisoy, a diminutive for Mestizo that sometimes hints at admiration, sometimes at mockery. Locals use the label for anyone with an obvious mix of Asian and Caucasian features. We share a few features, but he’s inherited a little more from Mom. Arthur has brown wavy hair and green eyes that invite remarks from new acquaintances. 

Little Arthur, not so little anymore. Taller than me now, in fact, by two inches. We’ve always gotten along quite well. Except the few times we were together when we were children and he’d keep trailing me, like a puppy, mimicking what I did until I got annoyed. I’d scowl at him, run away so fast he couldn’t catch up. Then I’d close my bedroom door on him. Sometimes I wondered if he annoyed me on purpose so that later he could hug me and say, “I love you” to soften me up. It always worked.

I love Arthur not only because we have some genes in common. He has genuinely lovable qualities—and I’m sure people can’t always say that of their siblings. He’s caring and loyal, and I trust him to be there through thick and thin. I also believe he’s better put together than I am, he whom my parents were too busy to raise. 

I am certain of only one thing about myself: I occupy time and space like everyone. My tiny space no one else can claim on this planet, in this new century. But I still do not have a place where I would choose to spend and end my days. I’m a citizen of a country, though. The country where I was born. And yet I can’t call that country home. I don’t know it much. But worse than that, I do not have much of a history there. 

Before today, I trudged around the globe for two decades. Cursed and blessed by having been born to a father who was a career diplomat sent on assignments to different countries, I’ve lived in different cities since I was born, usually for three to four years at a time. 

Those years of inhabiting different cities in Europe and Asia whizzed by. You could say I hardly noticed them because it was the way of life I was born into. But each of those cities must have left some lasting mark on me that goes into the sum of who I am. And yet, I’m still struggling to form a clear idea of the person that is Me. This Me can’t be whole until I single out a place to call home. 

Everyone has a home they’ve set roots in. We may not be aware of it, but a significant part of who we think we are—who others think we are—depends on where we’ve lived. The place we call home. A place I don’t have. Not yet. But I will.

I was three when I left this city. Having recently come back as an adult, I can’t tell whether, or for how long, I’m going to stay. You may wonder why, having lived in different places, I would choose to seek a home in this city—this country as alien to me as any other town or city I’ve passed through. 

By the end of my last school year at the Sorbonne, I was convinced that if I were to find a home, my birthplace might be my best choice. I was born here. In a country where I can claim citizenship. Where the primary language is English. My choice avoids language problems and pesky legal residency issues. Practical and logical reasons, I think.


 

Evy Journey writes. Stories and blog posts. Novels that tend to cross genres. She’s also a wannabe artist, and a flâneuse. Evy studied psychology (M.A., University of Hawaii; Ph.D. University of Illinois). So her fiction spins tales about nuanced characters dealing with contemporary life issues and problems. She believes in love and its many faces. Her one ungranted wish: To live in Paris where art is everywhere and people have honed aimless roaming to an art form. She has visited and stayed a few months at a time.

Author Links  

Website | Facebook | Instagram | Goodreads

 
 
 

All That Glitters, by Liza Treviño


Title: All That Glitters – A
Tale of Sex, Drugs and Hollywood Dreams
Author: Liza Treviño
Genre: Women’s Contemporary Fiction
Publisher: Koehler Books
Published Date: March 1, 2017
Language: English
ISBN-10: 1633933083
ISBN-13: 978-1633933088
Book Links:
Synopsis:
Alexandria Moreno—clever, sexy, ambitious and, at times, self-destructive. She blazes a path from Texas to Los Angeles at the dawn of the 1980s to make her dreams of becoming an A-list Hollywood film director come true. She and her best friend arrive in Los Angeles with little more than hope and the determination to make it big. Alex, a beauty as dark and mysterious as her scarred heart, stands at the bottom of the Hollywood mountain looking up, fighting for her chance to climb to the top. Will her quest to live fast and take no prisoners on her way to success destroy her in the end?
All That Glitters is a women’s fiction Jackie Collins-type saga that introduces a strong, driven Latina heroine at the center of a rags-to-riches story spanning a decade of action. Along the way, Alexandria walks the fine line separating ambition and self-destruction, and discovers that some sacrifices will cost her everything.
What early readers are saying:
“Treviño tells her story with wit, intelligence, and an undercurrent of sadness at the plight women face to make a name for themselves as human beings instead of strictly as women. Treviño may have cloaked her ideas in entertaining vignettes and snappy dialogue, but underneath is a bite that stays with you.”
— Jonathan Marcantoni, author and publisher of La Casita Grande Press.
“Liza has a way of taking you with her as she tells this very compelling story. She draws readers in with her as she describes scenes and characters with colorful detail and vivid imagination. This story is a testament to it’s title: it really glitters!”
—Reesha Goral, author, The Servant Boy
“With distant echoes of Jacqueline Susann’s Valley of the Dolls in the background, Alexandria Moreno, the protagonist of All that Glitters, chases after the allure of Hollywood, all the time substituting pills, booze and sex for genuine happiness. It is only after she reaches success that she has an awakening leading her to realize the emptiness of her aspiration, and finally accepting true love. Kudos to Liza Treviño for giving us this unique image of the New Latina! I urge reading All that Glitters. You won’t regret it.”
—Graciela Limón, author
Read an Excerpt:

Los Angeles
Oscar Night, 1990
When did things start going wrong?
Alexandria Moreno gulped another swig of champagne from the bottle. She picked at its broken gold foil. It was the same stuff she used to buy back in the days when spending more than ten dollars on bubbly was an extravagance. Now she sat in the best limo money could buy, inching along the craggy hillside road waiting for her turn to put in an appearance at the first of many scheduled post-Oscar parties. She was obligated to dole out heartfelt hugs and kisses to any of the beautiful people who might want one. Tonight, everyone was going to want a piece of her. She was the girl of the hour.
Until recently, Moreno had been an unknown writer-producer. She rocked Hollywood, winning Academy Awards for Best Director and Original Screenplay for the lushly violent, low-budget film, Win or Lose. Moreno, widely considered a dark horse contestant in the Oscar race, was the first Hispanic woman to be nominated, and win.
Two golden statues for writing and directing lay on the limo’s floor and the vehicle glided to the top of Hollywood’s heights. Beyond the winding canyon road, the Los Angeles electrified grid shimmered like Moreno’s own personal cauldron of gold. She understood that more than just a movie had won tonight.
She had won.
So why doesn’t it feel better?
Why don’t I feel better?
Despite everything she’d done to reach this moment of glory, Alex understood that none of it mattered. Not one bit. No matter what happened to her, she was still alone and drinking the same convenience-store champagne.
“Want some of this blow, babe?” Nick sniffed and dropped his head back with a slight shake, giving the chemicals a little jumpstart in the brain he liked to say.
“No thanks,” she said, “I don’t want to mix tonight.” Alex turned her attention from the scrubby hillside to handsome Nick Sirianni sitting across from her, casually relaxed in his Armani tuxedo. Though he favored stiff Wall Street suits, Nick was always casually relaxed due to the fact that he was worth millions from a Hollywood Midas touch.
Alex heard Leonard Cohen’s gravel-rubbed, breathless voice floating faintly through the air, crooning his patented melancholy love proclamations, and she couldn’t help but let her eyes wander along Nick’s impeccably tailored suit. Her hands absently grazed the familiar bluish-purple marks on her wrists currently hidden under make-up.
Nick’s thin lips curled into a slow, understanding grin. “Fine, but I have some X for later, and I don’t care what you’ve taken already,” he said in a tone Alex had learned not to question. “I’ve got plans for you, babe.”
“I guess it’s gonna be a long night.”
“The longest ever.”
Alex could tell he had taken off. She absently twirled a lock of her black, shoulder-length hair.
“Hey,” Nick nudged her leg with his polished leather dress shoe, “let me see.”
“Not right now.”
“I’m not asking, Alley Cat. Let me see. And do it right.”
Alex locked eyes with him, but she relented.
She found the fold of her straight wraparound skirt of crepe and beading that draped to the floor. She peeled it back and uncrossed her legs beneath the gown, giving Nick a peek-a-boo of her
narrow ankle and high-heeled foot. She loosened her knees, proving to Nick she’d followed his instructions.
Nick looked her over and loosened his collar.
“Good girl,” Nick said and shifted toward her, the leather seat creaking beneath him. He knelt between her legs and softly traced the length of her pale grey stocking from her shoe, along her leg, up to the matching garter, and over her supple brown thigh exposed between the garter and its straps. Nick kissed her just above where the stockings ended. He breathed in deeply and peered up to her.
“I gotta have a taste, baby,” he said and dipped his handsome face between her thighs.
Alex sighed and sank back into her seat.
How did things get so out of control? Isn’t tonight supposed to be everything I’ve worked for? Everything I’ve sacrificed for? Or, what I’ve sacrificed everyone for?
Alex knew she had purposely cut off anyone who had the misfortune of ever giving a damn about her. And there were such people.
It certainly wasn’t Nick. She’d made her deal with this particular devil nearly a year ago. Things between them were comfortably tawdry. Nick owned her. She knew it. He knew it. They had an understanding.
A flicker nudged her: so many things that could have been. She took another swig of champagne, letting the alcohol’s fizz and burn push everything back into the darkness.
Alex registered Nick’s velvet tongue expertly stroking her crevices, and she couldn’t help but give him all the access he wanted. She felt him smile when she dropped her head back and settled deeper into the limo’s bench. The car halted forward and the lazy, swaying sax turned up the tension in Cohen’s sonic plea for love.
Alex peered beyond the cracked sunroof, searching the starless LA sky for some answers. A corner of the tinted sunroof caught her faint reflection and she saw a vacant-eyed, thirty two-year-old wasted stranger. She’d never known herself less than at this moment. Her passion for work was burned out and, even tonight, she couldn’t muster excitement. Now, everything was just a game requiring too much effort.
She shut her eyes tight and sucked in air sharply, breathing in the car’s mixture of broken-in leather and artificial lemon scents. She clasped at Nick’s broad shoulder, wringing the expensive jacket sleeve as if it were nothing more than a cheap cocktail napkin. After a moment, she relaxed.
Nick brushed a sweet kiss on her inner thigh before he returned the thin black crepe material of her skirt to its full length. He slid back to his seat across from her and smoothed his hair back.
“Damn, you taste good, honey.” He wiped his mouth with the back of his hand.
“We’re next in line, ma’am,” the chauffeur’s voice crackled through the intercom. The limo moved into place with a definite stop.
Nick grinned. “It’s show time, Alley Cat.”
The cool night air took Alex by surprise as she waded into the sea of people and flashing cameras. She staggered, unsure she could move.
“One foot in front of the other,” Nick said in his soft voice through her hair. “I’ll get you a drink once we get inside.”
Alex smiled serenely and nodded. She focused on the live band somewhere in the distance belting out a Sinatra standard. Her eyes found the majestic Griffith Observatory looming in the distance, hovering above the white party tents.
Inside, the camera flashes kept coming.
“And here we are,” Nick offered as he swiped a couple of champagne flutes from a roving waiter’s tray. “This should get ya right, babe.”
Alex took the glass automatically. Another bulb flashed near her and she saw blue sprinkles. She regained focus quickly, but then her stomach dropped. Across the room was the last person she wanted to see.
◊◊◊
Jamie Douglas stood out in any crowd. Angular looks punctuated by oceanic blue eyes, a naturally lean athleticism, and down-to-earth boyishness had made him a reigning movie star around the world for almost twenty years. And right now, Alex saw Jamie’s eyes find hers through the crowd. When they caught each other, a flash sparked between them like one of those popping camera bulbs. Jamie’s surprised look gave way to a lopsided grin; it was a look so familiar to her.
Alex registered Nick snake his arm around her thin waist and she broke her gaze from Jamie.
“Okay, Alley Cat, time for our victory lap.”
“Perfect timing,” she said.
Timing—everything always came down to timing. It seemed to her that her timing had always been off. Not crazy off, just that extra millisecond that pushed everything either too early or too late. And now, she understood that it was too late.
Suddenly, she couldn’t bear to go through with the whole charade of tonight. Maybe, she couldn’t even bear to go through with the whole charade of her life any longer. Just leave, a soft voice whispered inside her head. There’s nothing written you have to stick around. It’s practically programmed into your DNA that you’ll be checking out of this world early.
All at once, Alex understood that simple fact. She, Alex Moreno, would leave Los Angeles tonight as anonymously as she had arrived nearly a decade earlier. She knew that wasn’t an entirely accurate account of how she’d started.
Now I’m alone, and that’s just how I knew things would always turn out.
Author Bio:
Liza Treviño hails from Texas, spending many of her formative years on the I-35 corridor of San Antonio, Austin and Dallas.  In pursuit of adventure and a Ph.D., Liza moved to Los Angeles where she compiled a collection of short-term, low-level Hollywood jobs like script girl, producer assistant and production assistant.  Her time as a Hollywood Jane-of-all-trades gave her an insider’s view to a world most only see from the outside, providing the inspiration for creating a new breed of Latina heroine.

The Writing Life with Latina Author Jonisha Rios





ABOUT THE AUTHOR

Jonisha Rios is an accomplished screenwriter, author, director and actress that currently resides in California. She teaches Solo-show workshops to adults and kids. 

Check her book on www.CurseoftheBlueVagina.com 
What’s inside the mind of a chica lit author?
I have always been somewhat of an optimist. I like to find the humor in things that bug me.  For example imagine you take a bite of your favorite slice of pizza and as your chewing, you feel the icky sensation of a strand  of hair on your tongue.  Not your own hair that has gotten caught in your mouth which is gross enough, but someone else’s dirty ass strand of hair  IN YOUR MOUTH!!!  Yuck! You  were enjoying your slice. You were also hungry.  Now what? Should you 
A) Scream at the cook demand a whole pizza pie.  
B) Spit it out and say to yourself “Hey maybe its time I start my new diet.  I shouldn’t be eating this crap anyway." 
c) Or C– You Imagine a character named Goldie who has just had the same experience. She slowly puts down her piece of pizza and slowly pulls that sucker out of her mouth and says "You gotta love this place...they didn't charge for extra ingredients."  As she sarcastically shares her disgusting discovery with the tall dark and handsome man sitting next to her at the pizza shop- he suddenly decides to ask her out on a real date to prove to her that there are some dining experiences that don't end up with a hair in your food.  She blushes. He pushes his tray aside and rises from his seat. He approaches her and touches her hand ever so gently and says "Let's get out of here and eat some real food." 
You see how I did that.  Find the positive and the humor in all things painful and even icky, then you start to live a fun life. Or at least try to. 
What is so great about being an author?
That! You imagination can run as far as you want it to go without anyone ever even having to know. You get to say it like you want it, with no fear,  or no judgment.  Don’t get me wrong, if you do end up with a publishing team they may step in and hack your book to bits, I mean  edit your work and make some changes.  However, the intention of your words and your story don’t ever really change. It only gets better.   For me writing is the only time, I get to not only use my imagination so freely and paint pictures or scenarios I can live.  I can write an essay about the love affair Johnny Depp and I had years ago when I met him in Paris as a quaint little cafe, and for me that shit is real.  
When do you hate it?
When I have to rewrite over and over again, or figure out the heady stuff, like formatting or searching out repeat words.  Every time I got notes I read my book from cover to cover sometimes twice a day. So that was tedious because there was always something I wanted to change. And at some point I just said to my agent “I don’t want to look at it anymore, I trust you."  You have to eventually trust others to step in because your “team” has got your back. 
What is a regular writing day like for you?
Yikes, with a 3 year-old I have to wait until he goes to sleep or ask my husband to hang out for the day so that I can write. So its really a gift to be able to sneak off and write. 
Do you think authors have big egos? Do you?
Who doesn’t have an ego from time to time? Its how you use it that matters, you make it your friend but you put it in check because you are not your ego- you are the creator behind it.  I do have fun with wacky characters that will just express their egos fully so that’s always a good way to deal with that.  Just create a character that is an asshole from time to time and you will have fun with it in a positive way. 
How do you handle negative reviews?
I don’t read my reviews, good or bad.  I create and all I care about is setting out to complete what I created and do it well.  Then I let it go. There are millions of people with millions of perceptions and ideas about what they think you are really saying when in reality sometimes I write things that just make only me laugh.  Truly that is enough.  Obviously if I can put a smile other peoples faces or inspire anyone beyond a silly giggle here and there, then that is a bonus. However, I create because its fun.  Its my escape. Somehow when I became an adult and a mom, I forgot how to have a little fun- but when I write I remember. 
How do you handle positive reviews?
Same way I do with the negative- I don’t read it. But I appreciate the person who took the time to write it so if its positive and the intentions are good then I may glance if my agent wants me to.  
What is the usual response when you tell a new acquaintance that you’re an author?
I have been positively embraced for being a successful accomplished Puerto Rican Female writer, and up until now I kept quiet about it, but dammit I am proud of myself in a loving way- I use to hide. I have even said it here, I just would create and then let it go or walk away. Only I recently realized after becoming a mom that you should be proud of your creations.  Especially when your creations become a career.  I use to be a starving artist- those days are over. I value my work. The same way I’m proud of my son. I'm proud to call myself a working artist and published author.  Its all sacred- even you what your doing right now is sacred, it’s a contribution. A positive one. 
What do you do on those days you don’t feel like writing? Do you force it or take a break?
I don’t write.  I just don’t put that kind of pressure on myself. Who wants to read that kind of book?  You feel it when a book is written to meet a deadline.  The flow is off. It becomes  over processed - over thought out. 
Any writing quirks?
I like to write to goofy music as an exercise.  The stuff that comes out makes me laugh. I have a track of goofy songs I play from the Violent Femmes and Joe Cuba is an old school Boogaloo musician whose music I adore. It always puts me in a good mood. 
What would you do if people around you didn’t take your writing seriously or see it as a hobby?
Who cares. I would do Nothing.  It’s their loss they are the ones missing out on a new experience by not reading my words.  I use to love the movie “Clueless” I thought it was a goof. So I remember suggesting it to a good friend of mine who needed a laugh- her response was “Ugh! I hate movies like that.” I was like “How do you know, you have never seen it.” She said, “I don’t know but I just know I won’t like it.”  I said “Ok”.  She didn’t even want to try to see if it would make her laugh.  Some people know what they like, some know what they don’t, and some people miss out, by not taking a chance on a new story, or movie, or even a piece of clothing.  So it’s their loss. In due time they will either read it or won’t.  None of that will stop me from doing what I love. In general however, I will say that I don’t really associate with people that don’t support me.  As I’ve become older and wiser, I found it healthier to surround myself with people I want to be most like and fortunately for me, they are all very supportive and talented. 
Some authors seem to have a love-hate relationship to writing. Can you relate? 
Sure I do, once it becomes a job its like anything else, some days you want to do it and some days you just want to watch Sex and the City with a glass of wine in hand.  Thing is writing is a choice, so its always a gift and some people don’t make time to do it, therefore they loose their privilege the moment they say no that day, make sense? 
Do you think success as an author must be linked to money?
No, but I do think that money comes when you value your work.  I use to do lots of free shows and write for people and when I decided to put my book out there, I knew it was valuable.  At first I didn’t do it for the money, I just wanted to finish my book. And then I got an agent and a team and realized I could pursue this as my profession. That was when my book became my business. If I eat we all eat.  Freebies are fine to get you to the finish line but if you want to have a career you need to do the work. When I decided to finish my book with full promotions I considered myself to be a professional author in that moment. It was then that I respected my work enough to try to sell it on my own, and around that time was when I attracted my fabulous agent who published the book for me in the end, she completely believed in my work and that came as a result of me valuing myself enough to put it out there. 
What had writing taught you?
Writing has taught me that the imagination is a wonderful tool you can access at any time to create, to heal, to explore, to release, and to express that dynamic part of you that is one with all that is. It is also something you can utilize to create a business for yourself if you are consistent.  
Leave us with some words of wisdom.

Do you Boo! Be fearless and the world will take notice. And if that world consists only of you and your son— then he will take notice and that is all that matters. Be well and enjoy my book!

Chapter reveal: 'What Might Have Been' by Lynn Steward

NameLynn Steward
Book Title:  What Might Have Been
Genre:  Literary Fiction
Publisher:  Lynn Steward Publishing
As a fashion buyer at one of New York’s most glamorous department stores, Dana McGarry is a tastemaker, her keen instinct for fashion trends and innovative ideas coupled with a razor sharp business sense. But like the elegant and conservative store that employs her, Dana is caught between two eras—between being liked and standing her ground, between playing by the rules and being a maverick. Dana is sensitive and beautiful, but what you see is not what you get. Behind the cool and attractive facade, Dana is both driven by her need to control yet impeded by her expectation of perfectionism. As she competes to replace women at the top of their game, she is challenged by jealous colleagues. And when a wealthy love interest wants to open doors and support her ambition, she embraces Coco Chanel’s mantra of “never wanting to weigh more heavily on a man than a bird.” As the women’s movement paves the way, Dana finds a path to the career she wants at the expense of happiness that was not meant to be.

Steward captures the nuances of 70s life in New York City and provides the perfect backdrop for an independent woman determined to make her mark. What Might Have Been is a story that transcends any period.

What Might Have Been
By Lynn Steward


Chapter One
Dana McGarry, on vacation for the first time as a single woman, arrived at the Lansdowne Club at 9 Fitzmaurice Place, just steps from Berkeley Square, in London’s fashionable Mayfair on the morning of April 8, 1975.  Her lawyer had filed papers for a legal separation from her husband Brett in January, and after four months of being under the watchful eyes of well-meaning family and friends, Dana was savoring every moment of her solo trip across the pond.  She and Brett had always stayed at the nearby Chesterfield Hotel, but her beloved Colony Club in New York City enjoyed reciprocity with the Lansdowne Club, where she’d previously attended lunches and lectures while her husband met with clients for his Wall Street law firm.  Undeterred by the steady English rain and dark clouds hanging over the slick gray streets, she stepped from one of London’s fabled black taxis with renewed spirit, excited to think that the distinguished house in Berkeley Square would be her home for the next five days.    After Dana checked in, the hall porter asked her if she would like tea brought to her room and then discreetly disappeared with her luggage, a small, welcoming gesture that stood in contrast to an impersonal hotel.  Rather than immediately taking the lift to her room on the fifth floor, Dana stepped into the entrance hall and surveyed the club’s interior, intending to explore Scottish architect Robert Adam’s stately masterpiece commissioned in 1761 for King George III’s prime minister, the Earl of Bute.  Previously, she had limited herself to the dining room, never taking time to appreciate the club’s historic beauty.  Although rich with finely-crafted embellishments and Neoclassical splendor, the house was clearly showing signs of fatigue, and its understated elegance made the environment that much more comfortable.  Dana knew she’d made the right choice. The club was an oasis of tradition and tranquility affording her the peace and privacy she needed.
            When Dana arrived in her junior suite, she noticed a bouquet of flowers sitting on a table in the sitting area. Thinking they were compliments of the club, Dana opened the attached note and laughed out loud.  The flowers had been sent by her childhood friend, Johnny Cirone.  The message read, “Take Phoebe shopping and buy up the town.  Whatever you do, enjoy yourself.  Love, Johnny.”
            Dr. Phoebe Cirone, who was in London attending a cardiology convention, was Johnny’s sister.  Their father, John Cirone, known affectionately to Dana and her brother Matthew as Uncle John, was the head of the House of Cirone, a manufacturer of ladies eveningwear.  Having a passion for medicine from an early age, Phoebe had never expressed interest in clothes or haute couture, leaving Johnny to reluctantly carry on family tradition by working for his father.  Dana’s parents, Phil and Virginia Martignetti, had been friends with the Cirones since before her birth.
            Dana, pleased to see a porcelain tea service had already arrived, took her cup to the window and sipped the Darjeeling as she observed the new plantings in the courtyard garden.  The peace she’d felt a few minutes ago was gone, however.  Something about Johnny’s note, as thoughtful as it was, unnerved her.  Johnny and her mother called daily to see how she was doing.  Dana sensed their concern, although she felt it was unwarranted.  What did they think—that she was going to kill herself because the divorce would soon be final?  They obviously didn’t recognize her personal strength and resolve.  Dana worked at New York City’s B. Altman, and the previous December she’d formed the department store’s first Teen Advisory Board.  She had also succeeded in getting Ira Neimark, the store’s executive vice president, to sign off on installing a teen makeup counter on the main selling floor over the objections of Helen Kavanagh, junior buyer, who thought youth-oriented strategies like those at London’s Biba, were a waste of time and money.   Despite these personal triumphs, she’d taken aggressive steps to further advance her career, leaving her comfortable job in the marketing department for the position of junior accessories buyer.  She had requested time off for this visit to London immediately after settling into the new assignment, and that alone was proof that she knew how to take care of herself.
Dana had been equally aggressive in terminating her marriage to Brett.  Papers for a legal separation had been filed in January by Dana’s lawyer when she discovered that Brett was having an affair with fellow litigator Janice Conlon, a saucy and impertinent young woman from California.  Negotiations for a final settlement were proceeding smoothly, with no protests originating from either Brett or his lawyer lest the firm be apprised of his misconduct with the audacious Conlon.  In the four months since their separation, Dana had realized that Brett’s dalliance with the abrasive Conlon had merely been a catalyst for the end of their relationship since there had been something far deeper and more troubling in their marriage: Brett’s growing neglect of Dana as he vigorously pursued partnership with the firmHis work always served as a convenient excuse to pick and choose his time with Dana and in the long run, that grim reality had proven intolerable.  Within days of learning of Brett’s infidelity, Dana contacted an attorney and moved from her Murray Hill apartment to a carriage house a few blocks away in Sniffen Court.
Given the decisive actions in her personal and professional life, Dana therefore felt smothered at times by the daily concerns of others.  As for her traveling abroad alone, she felt more than competent to take care of herself.  When Brett had been with her in London, they were rarely together.  He usually spent days working, and evenings meeting with clients, joining Dana for late dinners, if at all.  He was up and out by 7:00 a.m.  She’d always hoped that the next trip would be better, but this was never the case.  Traveling alone?  It was all she knew.
Yes, it had all happened just four months ago, illustrating how the course of a life can change so radically and quickly.  But was she ecstatically happy now that a new phase of her life and career had begun, with Brett being almost surgically excised from the picture?  No, she wasn’t jubilant about anything at present, but she was content, at peace with the decisions she had made to take care of herself and her future.  In the words of her father, she had discovered that she had “a very good life” despite longstanding marital woes and formidable professional challenges.  Many of her friends had urged her to re-enter the dating scene since she was almost thirty and the clock was ticking, but Dana didn’t miss married life in the least and had no interest whatsoever in dating, especially guys described as the perfect match: upwardly mobile professionals, or “Brett clones,” the apt description provided by Andrew Ricci, Dana’s good friend and display director at the store.  Besides, marriage was not the only path to a fulfilled life.  In Dana’s estimation, happiness also resulted from pursuing a creative dream, enjoying good friendships and the myriad interests that gave her immense pleasure, such as travel, literature, films, and lectures on a wide variety of topics.  Being suddenly single was not a condition to be cured but rather an opportunity to be savored.
            A line from Dickens came to mind as she thought of events that had altered her life:  “It was the best of times, it was the worst of times.”  Dana had survived the tumultuous weeks of the previous December, when she realized her marriage was over, but surely this was now the best of times, was it not?  She smiled as she contemplated her walk tomorrow morning to Piccadilly for breakfast at Fortnum & Mason, followed by a long and leisurely visit to Hatchards, London’s oldest bookshop.  The thought of Dickens reminded her of the delight she took in finding rare editions of the classics, or even first editions of lesser-known authors.  Today, however, she was going to enjoy Richoux’s delicious risotto when she lunched with Phoebe, who was staying within walking distance at the Grosvenor House on Park Lane.  Filled with a new surge of energy, the blue-eyed Dana freshened up, brushed her short blond hair, and grabbed a shawl and a pair of unlined leather gloves. The clouds were beginning to part, and the steady English drizzle had let up, but it was still a nippy fifty-four degrees—a perfect spring day in London.  
            Rays of sunshine were reflected by leaded windows in the rows of eighteenth century townhomes Dana passed as she strolled leisurely through Berkeley Square.  It was only eleven thirty and she had an hour before meeting Phoebe at her hotel, enough time for a short detour across Hill Street and Hays Mews to the Farm Street Church, also known as the Jesuit Church of the Immaculate Conception.  Years earlier, she’d been sitting on a bench in Mount Street Gardens when she looked up and beheld one of the church’s open gothic portals that seemed so inviting, beckoning her to enter and pray.  Then as now, it had been a glorious April day, the kind celebrated by Chaucer in the opening lines of the Canterbury Tales, when spring rains provide rich “liquor” for flowers suffering winter’s drought.
            Dana arrived at the church and chose to enter from Mount Street Gardens rather than Farm Street, as she’d done on her original visit.  In the transept to the right of Our Lady of Farm Street statue was the Sacred Heart Chapel, and this is where Dana chose to pray in deference to the Sisters of the Sacred Heart, who’d taught her for twelve years in her youth.  She knelt in the third pew, said a decade of the rosary, and then sat, looking up to admire, as she always did, the glorious painting of the Sacred Heart flanked by four saints above an inlaid marble altar with three brass reliefs.  But instead of finding peace in this pious setting, the silence suddenly became deafening, and the alabaster walls of the chapel began to feel close, confining.  A wave of emotion engulfed her, and she cried uncontrollably, questioning her impulsive decision to end her eight-year marriage—and without considering her vows taken before God, family, and friends. What a hypocrite she felt herself to be—a selfish hypocrite who had turned her back on the faith that was such an integral part of her life.
Glancing at her watch, Dana saw that it was almost noon.  She needed to pull herself together and be on her way to meet Phoebe.  She took a deep breath, wiped away her tears, and walked outside to a bench in Mount Street Gardens, where she would spend a few moments composing herself.
            In the sacristy, a priest was marking the readings for the twelve-thirty mass in the gilt-edged lectionary when he heard anguished sobs emanating from the Sacred Heart Chapel.  Curious, he stepped into the sanctuary in time to see a young woman exiting the side door leading to the gardens.  He followed her and observed her sitting on a bench fifteen yards away.  He folded his arms, closed his eyes, and said a brief prayer.   

*                                  *                                  *
             Looking in her compact mirror, Dana wiped away the mascara beneath her eyes and reapplied a bit of powder to her cheeks.  She didn’t want Phoebe to see that she’d been crying.  What could she possibly say in answer to any questions her friend might have?  That she was upset over the abrupt manner in which she’d dissolved an eight-year marriage to an inattentive man who’d cheated on her?  No, the emotions that had spilled forth in the chapel had taken Dana by surprise, and they needed to be processed in private moments of reflection.
            Dana had been resting her eyes when she looked up and saw a priest approaching the bench.  The Jesuit, a tall man in his early fifties, walked with a confident gait, and the smile on his face was evident when he was still several feet away.
            “Good morning,” he said.  “Lovely day.”  He could tell the young woman was upset and,               in point of fact, she wasn’t the only one he’d encountered on the grounds who needed consolation or, at the very least, a friendly smile.
            “Yes, Father, it is,” Dana replied.  “A splendid day.”
            “Are you on holiday, or are we blessed to have you as a new parishioner?” he asked.
            Dana examined the priest’s face more carefully.  He wore rimless glasses, and pale blue eyes regarded her kindly beneath close-cut salt and pepper hair.  He was dressed in a black clerical suit and looked to be strong and vigorous despite his gentle manner.        
            “On holiday, Father,” Dana replied. “I come here whenever I’m in London and wanted to stop in and . . . visit.  I was taught by the Sacred Heart sisters back in New York.”
            “A New Yorker!” Father Macaulay said. “And a member of the family, so to speak.  May I sit?” he asked, motioning to the bench.
            A member of the family, Dana thought, again fighting back tears.  Not anymore.
            “I’m sorry, Father,” Dana mumbled, rising to leave.  “I’m meeting someone and I’m late.”                           
            Father Macaulay nodded.  “I hope you’ll visit again.  I’m here in the church or the gardens every morning from nine until I say mass.  If you can’t find me, just tell the sacristan that you’re looking for Father Charles Macaulay.”
            “Thank you, Father.  Have a good day.”       
            Biting her lip to fight back fresh tears, Dana and Macaulay shook hands. The priest watched Dana walk out of the gardens, sensing that she was in distress.  He was a good judge of people, and he thought that Dana would surely return to the church before she boarded a plane for New York City.  Somewhere in her soul, he thought, there was unfinished business.
        *                                *                                  *
            Wearing sunglasses, Dana walked for five minutes along Mount Street until she reached the Grosvenor House.  Phoebe was waiting in the lounge, and after they exchanged warm greetings, they left the hotel for Richoux, which was two blocks away on South Audley Street.
            The two women were shown to a small table in the dimly-lit restaurant owing to the dark wood paneling in the main dining room.  When Dana removed her sunglasses, Phoebe immediately saw that Dana was upset.  Her eyes were puffy and her smile was forced.  Phoebe cocked her head and raised her eyebrows, as if to say, Do you feel like talking about it? 
            “I’m fine,” Dana said, brushing aside the concern.  “Nothing worth discussing.  Now tell me about you, how’s the convention?”
            The two women chatted over lunch, Phoebe speaking of the lectures she’d attended on anticoagulation therapy, angioplasty, and catheterization for the diagnosis of coronary artery disease.  In turn, Dana described her new duties at B. Altman.  They laughed at Johnny Cirone’s daily calls and continued concern for Dana since her separation, although Dana was reminded yet again of the excessive attention she was receiving.
            “We have to get him married off,” Phoebe said, “or at least find him a serious girlfriend.  He’s becoming a mother hen.”  She paused, knowing that Dana was holding back something painful, but decided not to press the matter.  “By the way, my dad has an offer on his house, and he’s in contract to purchase the estate sale on East 79th Street. It’s a big renovation, so he’s hoping to get approved by the co-op board quickly and start the demo. Johnny is already interviewing contractors.”  
            John Cirone was moving to Manhattan since his Long Island home seemed far too large since the death of his wife two years earlier.  He’d accepted a seat on the board of the Metropolitan Opera, and Johnny was helping his dad make the long-overdue transition to the city—and to the present, away from thoughts of his deceased wife, Lena.
            “It sounds like the convention is keeping you pretty busy,” Dana said.  “Would you like me to pick up Uncle John’s cigars at Sautter’s?  It’s a few blocks from the Lansdowne.”
             “That would be a lifesaver,” Phoebe said.  “I have two days of seminars on using something called a stent to open up clogged arteries instead of always resorting to bypass surgery.  It would be a non-invasive procedure, but most cardiologists think it’s still years away.”  Phoebe suddenly burst out laughing.  “And here I am, bringing my father cigars, which is the last thing a cardiologist should do.”
The two women finished lunch, Phoebe heading to the convention for afternoon lectures,
and Dana returning to the Lansdowne Club, where she finished unpacking.
            Dana sipped afternoon tea while paging through a book of poems she’d found lying on the end table by the sofa, her thoughts returning to her display of emotion that morning.  Brett had indeed been quickly and surgically excised from her life, perhaps too quickly, and yet she had received no judgments about the decision to do so from her parents.   She was aware, of course, that Virginia had always been a bit leery of Brett, even at the very beginning of their courtship.  As for her father, he was quite unflappable and had reminded Dana that things always work out in the end, which was a part of his lifelong, homespun philosophy that she found so comforting.  And yet Dana couldn’t shake the realization that Brett, despite all of his shortcomings, was a man she’d loved for over eight years.  Should she have given him another chance?  After all, the marriage hadn’t been all bad.  The visit to the chapel, she concluded, had reminded her of Catholic dogma regarding marriage: it was indissoluble.  Mount Street Gardens, the chapel, the brass panels—they’d brought to mind her many years with the Sisters of the Sacred Heart, causing her to second guess her decision.
            Leafing through the slightly-worn pages—she thought that older books had such character—she saw Wordsworth’s “Ode on Intimations of Immortality.”  It was one of her favorite poems.  She especially liked the lines towards the end.
               Though nothing can bring back the hour
               Of splendour in the grass, of glory in the flower;
               We will grieve not, rather find
               Strength in what remains behind;
               In the primal sympathy
               Which having been must ever be;
               In the soothing thoughts that spring
               Out of human suffering;
               In the faith that looks through death,
               In years that bring the philosophic mind.
               The sentiment was essentially that of her father, who had a “philosophic mind” when it came to handling disappointment.  There had been good times in the marriage, but some things were beyond repair, and Dana had indeed retained strength in what remained behind, which was a full life that included friendships and opportunity.  Dana realized how important this trip was—far more than a break from her daily routine or an enjoyable shopping spree.  On her own, she could privately mourn her marriage and process her emotions, opening her mind and heart for whatever lay ahead.  She was at peace again, ready for the rest of her stay in London.  Still, she wondered if Father Macaulay would share her perspective.  The priest had emanated kindness and understanding in the brief minutes she’d been in his presence, and now, feeling stronger, she decided to visit him again before she left London.  He’d demonstrated genuine concern, and she wanted to hear his soothing voice one more time.