Showing posts with label historical. Show all posts
Showing posts with label historical. Show all posts

New Historical Romance: The Rising Place, by David Armstrong



Genre
: Historical Romance

Author: David Armstrong

Website: therisingplace.com 

Publisher: The Wild Rose Press

Purchase Link: The Rising Place by David Armstrong


About the Book:


The Rising Place is based on an interesting premise: What if you found a hidden box of letters from World War II that belonged to a reclusive old maid who had just died—would you read them? And what if you did and discovered an enthralling story about unrequited love, betrayal, and murder that happened in a small, southern town over seventy years ago?


When a young lawyer moves down south to Hamilton, Mississippi to begin his practice, one of his first assignments is to draft a will for Emily Hodge. “Miss Emily” is a 75-year-old spinster, shunned by Hamilton society, but the lawyer is intrigued by her and can’t understand why this charming lady lives such a solitary and seemingly forgotten life.


After Emily dies, the lawyer goes to Emily’s hospital room to retrieve her few possessions and bequeath them as she directed, and he discovers a sewing box full of old letters, hidden in the back of one of her nightstand drawers. He takes the letters back to his office and reads them, and he soon learns why Emily Hodge died alone, though definitely not forgotten by those whose lives she touched.


About the Author:


David Armstrong was born and raised in Natchez, Mississippi. He is an attorney, former mayor, and former candidate for the U.S. Congress. Currently, he serves as the Chief Operating Officer for the city of Columbus, Mississippi. David received both an undergraduate and a master’s degree in political science from Mississippi State University, before going on to receive a law degree from the University of Mississippi. 


The Rising Place Place, David’s second novel, was made into a feature film by Flatland Pictures before it was published by The Wild Rose Press. His third novel, The Third Gift, will be released by The Wild Rose Press this summer. He has also written four screenplays.


David is the father of two grown sons, William and Canon, and lives in one of the oldest and most haunted antebellum homes in Columbus with a snarky old cat named Butch.


Find out more: therisingplace.com 


Read an excerpt! 


When Emily Hodge died, I assumed I would be one of the few people at her funeral. She had lived such a solitary life. She didn’t really seem like a loner, but that was before I learned about the murders and Miss Emily’s past.


She had no family that I was ever aware of. Once, though, when I went to see her in the retirement center before she moved to the hospital, she said something about a “Mr. Wilder” who had visited her years earlier when she used to live in her little yellow house. But I wasn’t sure who this Wilder fellow was or where he was from, and I doubted he was still alive. That was a long time ago, like Miss Emily had said.


And that yellow frame house of hers on Monmouth Avenue has gone through several tenants since Miss Emily moved out and went to the Methodist Retirement Center. Most of the asbestos shingles on the front bottom of the house were covered now with kudzu vine and badly cracked, and Miss Emily would have hated they were so noticeable, so I never told her. I realized several years ago that there were some things it was best Miss Emily never know about.


I never understood why Miss Emily didn’t marry and have her own children. She certainly was attractive enough, in her younger days. She showed me an old picture of herself one Sunday afternoon at the General Hospital when I went by her room to visit. She was a “striking woman,” as she herself commented. But it was more than just a striking woman I saw in that faded, seventy-year-old photograph. She was beautiful. Standing on the running board of an old Ford in a long, pink dress with a cream-colored, flapper hat on her head, she reminded me of someone from that old Bonnie and Clyde movie. It was hard to believe the pretty young woman in that photo was her. I probably stared at it too long, and it seemed to make her uneasy that I thought she was so beautiful.


“You were a lovely girl,” I awkwardly told her. When I handed the picture back to Miss Emily, she replaced it in a brown sewing box and slid it into the bottom drawer of the nightstand next to her bed. After she closed the drawer, I somehow knew Miss Emily would never show anyone that photograph of herself, again.


On the day of her funeral, it started raining about eight o’clock that morning. It was to be only a short, graveside service—just like she wanted—with no open casket, and she specifically requested that no flowers be sent. It was the only request of hers I didn’t honor. I couldn’t bear the thought of that precious lady, who had lived and died all alone, being buried without flowers. It just wasn’t right, so I ordered the finest arrangement of yellow roses I could find. I thought the color was appropriate, considering how much she loved her yellow house on Monmouth Avenue, and she always liked roses. As I’ve matured, I’ve learned that sometimes people want things but just don’t know how to ask for them. I do believe Miss Emily would have liked those yellow roses.


It was a simple, Methodist prayer service that lasted only twenty minutes. No one cried during the service. I don’t think Miss Emily would have wanted that. It’s hard to cry for someone you don’t really know. But the old black people there seemed to know her as they passed by her casket after the last prayer. And when Reverend Elton read the quote from Saint Theresa (Miss Emily’s favorite saint), “Let nothing disturb you; let nothing frighten you. Everything passes except God. God alone is sufficient,” all the black people shouted a loud, “Amen!”


But the most intriguing thing of all was that gray-haired stranger who kept staring at the small headstone next to Miss Emily’s grave that read, “Baby Boy, 1942,” and who then stayed after everyone else had left. As we were leaving, I noticed from my car that the old man was crying. He picked a single yellow rose from the arrangement on top of Miss Emily’s bronze casket and then gently placed it on the small grave, in front of the headstone. When my wife and I drove away, I looked back before we left the cemetery. The gentleman was limping away in the rain with his cane.  


Before she died, Miss Emily had already disposed of most of her possessions, but there were two beautiful paintings and an antique rose vase still in her hospital room that she had left to a friend. She had given away all her clothes to a couple of nurses who promised they would take them to the Salvation Army for her, but I doubted that would ever happen. I remember commenting to Miss Emily years ago, when I was still a young lawyer, that a friend had once promised to retain our firm and then sought legal services elsewhere. Emily said, “Don’t put too much stock in other people, David—they’ll just disappoint you.”


As I was about to turn off the light and leave her empty room, I remembered the sewing box of letters in the bottom drawer of the nightstand next to her bed. I also remembered that wonderful old photograph of her leaning against a car on the beach, which she had shown me several years ago. I didn’t know why at the time, but I wanted that picture. I would keep it as a remembrance of this dear lady I had come to love.


I didn’t open the letter box until after I had returned to my office. I don’t know if Miss Emily would have liked my reading her letters, but I think I finally understand her now and why she died alone, though definitely not forgotten. I know I’ll never forget her. How could I?

 

 

 

 

Five Questions with Marty Ambrose, Author of 'Claire's Last Secret'


Marty Ambrose has been a writer most of her life, consumed with the world of literature whether teaching English at Florida Southwestern State College or creating her own fiction.  Her writing career has spanned almost fifteen years, with eight published novels for Avalon Books, Kensington Books, Thomas & Mercer—and, now, Severn House.
Two years ago, Marty had the opportunity to apply for a grant that took her to Geneva and Florence to research a new creative direction that builds on her interest in the Romantic poets:  historical fiction.  Her new book, Claire’s Last Secret, combines memoir and mystery in a genre-bending narrative of the Byron/Shelley “haunted summer,” with Claire Clairmont, as the protagonist/sleuth—the “almost famous” member of the group.  The novel spans two eras played out against the backdrop of nineteenth-century Italy and is the first of a trilogy.    
Marty lives on an island in Southwest Florida with her husband, former news-anchor, Jim McLaughlin.  They are planning a three-week trip to Italy this fall to attend a book festival and research the second book, A Shadowed Fate.  Luckily, Jim is fluent in Italian and shares her love of history and literature.  Their German shepherd, Mango, has to stay home.

Q: What’s inside the mind of a historical mystery author?
A:  I’m always thinking about some new aspect of history that would make an interesting background “shade” for my characters.  When I was plotting a scene in Claire’s Last Secret that was very emotional, I decided to have it take place at Castle Chillon on Lake Geneva—a medieval fortress that juts out into the lake.  I visited Chillon in the summer of 2016, so I could describe the “look and feel” of the place so, as I wrote about it, my imagination could recreate what it felt like to be inside the dungeon with my characters.  Setting becomes all-consuming for me with the sensory details, such as the sound of water lapping against the Castle Chillon walls, and I find the fantasy world of place stays with me on most writing days.       
Q: Tell us why readers should buy Claire’s Last Secret.
First of all, I think it’s a good story.  Secondly, my book is a new twist on a famous event (the “haunted summer” of 1816 when the Bryon/Shelley circle lived in Geneva and Mary Shelley’s novel, Frankenstein, was conceived).  I have always been interested in the “unknown voice” of women in historical fiction.  We see so many great literary figures through the lens of history and fame, but their contemporaries often saw them very differently.  When I wrote Claire’s Last Secret, I chose to narrate it from the perspective of Mary’s stepsister, Claire Clairmont.  She outlived the other members of the group by many decades and had the perspective of age and experience when she later recalled the events of her youth.  I found her an incredibly intriguing person in her own right—and a missing voice.
Q: What makes a good history mystery?
A good historical mystery is a blend of factual details and fascinating story.  It should be based on an actual event(s) but, also, make the era, people, and setting come alive for the reader.  It’s a tricky task to achieve just the right balance but, when that happens, it’s a beautiful thing to behold.
Q: Where can readers find out more about you and your work?
I invite readers to visit my website and blog (https://martyambrose.com/), Amazon Author page (https://www.amazon.com/Marty-Ambrose/e/B001JS89PA), and Facebook page https://www.facebook.com/MartyAmbroseMysteryWriterMemoirist1957). 
Q: What has writing taught you?
I think writing has taught me that when life seems to turn in a negative direction, it’s really just turning a corner.  The more that I understand that, the more I can move beyond specific events and try to see a bigger picture (both for my characters and me).  Three years ago, I had one of those “karmic wheel” years when I faced multiple challenges, both physical and professional, but it was the beginning of a whole new life—not perfect, by any means, but different and exciting.  I also find writing is a lesson in dealing with fear: fear of rejection that readers won’t like my book, fear that I made glaring historical errors, and fear that my book won’t do well in sales.  Every writer must confront those uncertainties.  I have realized over the years that all I can do is write the best book possible.


Book Review: The Last Wife of Attila the Hun, by Joan Schweighardt


The Last Wife of Attila the Hun by Joan Schweighardt is an ambitious, superbly researched, excellently written novel based on Germanic legends and the true life of Attila the Hun that will mesmerize fans of historical fiction. There isn’t a lot of fiction based on Attila, so being a lover of history I was instantly intrigued about reading the book.
The novel moves back and forth in time, interweaving two stories. In one, we meet Gudrun, a brave Burgundian noble woman with a lethal mission, destroy the infamous Attila the Hun. In the other, the reader travels to the past to learn the overwhelming events that brought Gudrun to this difficult, suicidal undertaking.
From the beginning, Schweighardt’s imaginative storytelling and attention to detail shine through the pages, bringing Attila’s fifth century landscape to life in all its gritty vividness. Characters are deftly drawn, and I found myself instantly sympathetic to Gudrun’s situation, as well as absorbed by the other characters. This was especially true of Attila’s second in command, with whom Gudrun develops an unusual relationship. Attila himself is portrayed in chilling detail.
Needless to say, I love the fact that the story is seen from a female perspective. At times, her focused obsession for revenge propels the tale at a breathless pace. Juxtaposing with her present life as Attila’s prisoner are her memories of her great yet tragic love with Sigurd.
I’m not surprised the novel has won awards and it’s been translated into other languages. Dark, mysterious, and beautifully layered, The Last Wife of Attila the Hun is filled with lust, revenge and passion, and comes highly recommended by this reviewer. If you’re a historical fiction enthusiast, this is for you.
Find out more about Joan Schweighardt here. Read my interview with her on Blogcritics. Purchase the book on Amazon

Book Review: ‘Luck Is Just the Beginning’ by Celeste Leon


LuckcoverthumbBased on a true story, Celeste Leon’s beautifully written debut novel is the story of a young man in 1940s Puerto Rico who wins the lottery, only to realize that, as the title states, luck is just the beginning.
Young Ramon is able to see visions, a gift he inherited from his mother. When he sees a number flash across the sky, he decides to buy a complete lottery ticket. At first, he’s thrilled to have won a fortune, for his plan is to go to college, become a dentist, and make the world a better place by helping the people of his village. But, as it turns out, money changes a lot of things—people’s intentions, expectations, desires—even one self’s, and not always for the better. Now, people approach Ramon because they want something from him, and he starts to doubt everyone, even the girl who claims to love him. Likewise, he starts doing things he later regrets.
This is the era of WWII, and in the midst of it all Ramon tries to face the challenges that threaten to destroy his life, especially a man whose envy has made Ramon his target for revenge. Overnight, all facets of Ramon’s life turn upside down—his dwindling family business, his relationship with Elsie, his dream to go to college in the States. At some point, even the police are after him.
The novel is rich with Puerto Rican flavor and historical details, and Leon writes with simplicity yet profound perception about human nature. Ramon is an endearing, utterly likable character—an honest, good-hearted man who makes mistakes yet rises above them.
Luck is Just the Beginning was honored with a Mariposa award for Best First Book in the 2016 International Latino Book Awards, and was also a finalist in the “Fiction: Multicultural” category of the 2016 International Book Awards.
Read my Blogcritics interview with the author.
Find out more about the book on Amazon or from the author’s website.
This review was originally published in Blogcritics Magazine.

Chapter reveal: The Wrong Road Home, by Ian A. O’Connor


ianoconnor-72dpi-1500x2000-2Title: The Wrong Road Home – A story of treachery and deceit inspired by true events
Release Date: March 31, 2016
Publisher: Pegasus Publishing & Entertainment Group
Pages: 280
Genre: Historical Medical Crime
Format: Trade paperback and EBook
Purchase on Amazon 
Book Description
“An intimate look at a life lived as a lie.” – Kirkus Reviews
Inspired by a true story, The Wrong Road Home is the story of Desmond Donahue. Born into abject poverty in Ireland, Donahue went on to successfully practice his craft as a surgeon for 20 years—first in Ireland and then the United States.  So isn’t Donahue’s tale a classic rags-to-riches, American dream story?  Hardly.  Donahue was girded with nothing more than a Chicago School System GED and several counterfeit medical diplomas. It seems impossible—and understandably so—but it’s a story based on a Miami Herald Sunday edition front page exposé.  An Oprahproducer pursued the imposter for weeks, as did Bill O’Reilly. Simply put, Desmond Donahue’s story is a story that really happened.
A gripping story that is alternately shocking, heartbreaking, and unbelievable, The Wrong Road Home will leave readers spellbound. Ian A. O’Connor, an imaginative and skillful storyteller, paints a vivid portrait of a complicated, complex character who comes alive within the story’s pages.   Reminiscent of Catch Me if You Can, The Wrong Road Homefuses elements of true crime, memoir, and drama.  Groundbreaking, inventive and innovative, The Wrong Road Home is an extraordinary story exceptionally well told.
PROLOGUE
I arrived at the law offices of Middleton and Ives, P.A., in Coral Gables, Florida, at nine o’clock on a clear November morning in 1992.  Eighteen months earlier, I had been seriously injured in an auto accident, and still wore a cumbersome neck and back brace.  Pain was my constant companion.
The task this day was to prepare me for a pre-trial deposition scheduled for midweek.  My attorneys had realized soon after filing a claim in court that things could turn dicey simply because I was a longtime friend of the car’s driver, Kathy Murray.  Indeed, her insurance carrier had remained steadfast in refusing to entertain any thoughts of a settlement, and had drawn a new line in the sand by hiring a top Miami attorney named Carl Weston.
“Relax, Desmond,” my friend, Mike Middleton, said. “Your case is a slam dunk.  Just answer all questions truthfully, and don’t volunteer any information.”
“You know this insurance company lawyer?”
Mike chuckled. “Yeah, I know Carl.  He’s no Perry Mason, but he can turn into one tough little bulldog if he smells blood.  But Carl has nothing to go after here because the facts are the facts.”  Mike led me into the conference room then headed for the gargantuan leather chair at the head of the table while motioning me to take the seat on his right.  As he reached for a yellow legal pad, his partner entered.
“Sorry I’m late,” Drew Ives said, and, with a nod, signaled for Mike to begin.
They went over the facts of the accident at least a dozen times, all the while lobbing every imaginable question at me.  They then helped polish my responses, and three hours later pronounced me ready.  “Just tell the truth,” was Mike’s last piece of advice.
Michael Middleton and Drew Ives oozed confidence from every pore.
*     *     *
We were ushered into the floor-to-ceiling book-lined conference room of the law firm of Weston, Hailey and Strunk, P.A., at three o’clock, on the afternoon of November 20, 1992.  After the requisite introductions, and going over a few technical legal housekeeping matters, the deposition started at 3:20 p.m., and lasted ninety minutes.  A court stenographer videotaped the proceeding.
Carl Weston began by guiding me through the preliminaries, those mundane, innocuous items, such as having me state my full name, age, place of birth, city of residence, and marital status.
I began to relax.  I had answered the last question by saying I was a widower these past eighteen years, and how my wife, Margaret, had died in childbirth, as did our child.
Carl Weston wore a suitably sad face as he listened to my recounting.
Then he moved on to wanting to know about my education, beginning in Chicago, where I told how I had attended college at Loyola University, followed by medical school in Cork, Ireland.
“When did you start these Irish medical studies, and when did you finish?”
“Nineteen sixty-nine until nineteen seventy-six.”
“It was a seven year course?” Carl Weston couldn’t keep the surprise out of his voice as he peered at me over the rim of his half-frames.
“Well, it’s normally five, but I did some other things while I was there.” I then went on to explain away my particular circumstances. Mike remained silent.  And why not?  The facts were facts, and he had heard me parrot them ad nauseam.
“So, from nineteen sixty-nine to nineteen seventy-six you were a student at the medical school in Ireland?”
“Yes.”
“That’s seven years?” Carl Weston was now repeating himself
“It is.”
“Did you finally get your degree?”
“Of course.”
“And what degree did you get?”
“Similar to an American M.D. degree.”
“Which is…?”
“An MB, Bch., BAO.”
“That’s quite the mouthful of alphabet soup.  Just what do all those letter mean?”
“MB, Bch., stands for Medical Bachelor, and Bachelor of Surgery.  BAO, Bachelor of Obstetrics and Gynecology.”
“So in other words, you got this MB, Bch., BAO degree in Ireland?”
“I did.” I was beginning to think this hotshot lawyer was somewhat slow in the understanding department.  And still Mike said nothing.
Weston then wanted to know what hospital I had attended for my clinical training while in Cork, and I told him there were several the students rotated through.  That answer seemed to satisfy him.  He next queried the date and the facts leading up to my marriage, then delicately probed for more details about Margaret’s demise and that of our child.
Then he led me through a recitation of events from the time I left Ireland, until my being hired by St. Anslem’s Hospital in Coral Gables, a dozen years earlier.
“And at St. Anslem’s you wear a white doctor’s coat?”
“Of course.”
“And it has Desmond Donahue, M.D. embroidered over the left breast?”
“It does.”
Weston scribbled a quick notation, rifled through some pages, selected one, and began asking about my life and duties at St. Anslem’s.  He wanted to know how much was I paid.  How long was my workday?  Whatexactly did I do at the hospital?  He then followed with questions regarding the general state of my health before the accident, and an in-depth asking as to my several life insurance policies, and who my beneficiary was.  Ditto for my disability coverage. Then he wanted to know about my relationship with the defendant, Kathy Murray.  I explained she was the widow of a long-time friend who had died of lymphoma three years earlier.
Finally, after many repeated questions, the discussion turned to the accident. Carl Weston led me through the mishap, minute-by-minute, blow-by-blow, my many injuries being duly noted.  He then asked for the names of all the physicians who had, and still were, treating me.
The session ended with a probing of my limited surgical work schedule since the accident, with me explaining how my injuries had curtailed most of the activities I had enjoyed prior to that fateful day.
At last, it was over.  I sank into my chair, exhausted.
Twenty minutes later, I was riding back to Coral Gables with Mike.  “Went well,” he said as we crawled along in bumper-to-bumper traffic on South Dixie Highway.  “I told you Carl’s a bulldog!  Get him fixated on a line of questioning and he will beat it to frigging death.  Hell, there were times in there I had no idea where the man was going.”  Mike let loose a whoop of delight.  “Poor old Carl went on a fishing expedition only to find there were no fish in the pond.  You handled him great, Desmond.”
*     *     *
I got a call from Mike two days before the end of the year.  “I need you in my office as soon as possible.”
“Well, I’m kind of tied up for the next…”
“You’re not listening, Desmond” he interrupted. “As soon as possible means just that.”  No ranting, no raving, just a command.
I immediately went on red alert.  Something big was up.  “Then I’ll be there this afternoon.  Care to tell me what it’s about?”
“This afternoon will be fine, I’ll see you then.”
I made my appearance shortly after two o’clock where a poker-faced Mike Middleton walked me into the conference room and shut the door.  He strode over to the table and scooped up an overstuffed manila envelope which he began waving in front of my nose.  “This was delivered by courier from Carl Weston’s office at nine o’clock this morning.  Care to guess what’s inside?”
I immediately knew the answer.  Carl Weston had dug deep into my past and had struck the mother lode of all mother lodes.  Mike Middleton’s tenacious little bulldog had done what no one else had been able to do in twenty years—he had discovered that my life was a lie, and that I was a fraud.
I hung my head in silent disgrace inside my brace and collar, too mortified to look Mike in the eye.
“Sit down, Desmond,” Mike finally said, then heeding his own advice, sank wearily into his oversized chair and began a vigorous rubbing of his face, a ritual I had witnessed many times.
“It’s time for you to come clean, Doctor Donahue,” he finally said in a voice as dry as dust, deliberately emphasizing the word doctor.  “I want the truth, but first, answer me this: Is your real name even Desmond Donahue?  Because if it isn’t, I sure as hell need to know that particular fact right up front.”
I shook my head and sighed. “Desmond Donahue is my real name.”
“Well, that’s a start, I suppose.  Forget that we’ve been friends for ten years, I want to hear only the truth from here on out.  No bullshitting, no spinning, no you deciding what to tell and what to withhold.  I need to know everything about you from the day you were born, because very soon you’re going to be facing one really pissed-off judge who could send you away for a very long time.  Do you understand what I’m saying?”
I nodded, took a deep breath, held it for what seemed like an eternity, then exhaled in one long swoosh and began to talk.

Interview: Florence Byham Weinberg, Author of ‘Dolet’


florenceWelcome my special guest, Florence Byham Weinberg. Born in Alamogordo, New Mexico, Weinberg lived on a ranch, on a farm, and traveled with her military family. After earning a PhD, she taught for 36 years in three universities. She published four scholarly books. Since retiring, she has written seven historical novels and one philosophical fantasy/thriller. She lives in San Antonio, loves cats, dogs and horses, and great-souled friends with good conversation. She’s here today to talk about her latest book, a nonfiction historical novel titled, Dolet.
Visit her website and connect with her on Facebook.
Congratulations on the release of your latest book, Dolet. When did you start writing and what got you into historical fiction? 
If you count scholarly books, I began writing in 1967 and wrote four. My novel-writing began in 1999. I chose historical fiction because of my interest in history. I am a time-traveler by nature and it seemed only natural to choose subjects in time periods I had studied because they fascinated me. My first venture into historical fiction was a novel (well researched) about the founding of the five 18th-century Franciscan missions located in and around San Antonio, Texas. The Alamo is one of them. I have written three more books on the history of the Southwest since then and am working on yet another. Other books are set in 18th-century Europe and in the 16th century French Renaissance. 
Dolet_medWhat is your book about?  
Etienne Dolet, 1509-1546, son of a cloth merchant, studied under the eminent humanist and Ciceronian Latinist, Nicolas Bérault, and later with Simon Villanovanus. He then studied Law at the University of Toulouse. In two public Latin orations, he denounced the city authorities for persecuting his fraternity and for burning a favorite professor at the stake. Imprisoned and then expelled from the city, he fled to Lyon. After apprenticing with the noted printer, Sebastien Gryphius, he became an independent printer, licensed by King François I. He married a printer’s daughter, Louise Giraud, and had a son, Claude. In a duel provoked by Henri Guillot, Dolet killed his opponent by lucky chance. Imprisoned for murder, he escaped and procured the king’s pardon. In the struggle of the workers in printing establishments for fair wages, Dolet took their part and won the enmity of many printers. They framed him by sending boxes of “heretical” books to Paris under his name. He was captured, tried for heresy, and burned at the stake on his 37th birthday. 
What was your inspiration for it? 
My dissertation, two further scholarly books and a number of articles are about literary figures in 16th-century France. I knew something about the Lyonese publisher, Etienne Dolet, from those studies. He was a man who told the truth to friend and foe alike, and who consequently made enemies. But he was an upright, erudite and just man, cut off before he reached what we now think of as middle age, at 37 years. For instance, he fought to raise the wages of the print-shop workers, but other printers colluded in destroying him by giving the Inquisition false reason to believe he was aiding and abetting the Protestant reform movement. I wanted to set the record about him straight, since, thanks to the inquisitorial record that has been handed down through the centuries and the false woodcut portraying him as a long-bearded, devil-faced gargoyle, he has generally been known as a disagreeable, degenerate character and as a heretic.
What do you hope readers will get from your book?
I hope the book will entertain them, gain sympathy for Etienne Dolet, and set the record straight, or at least lay before the reader the other side of the story. There is a lot of evidence that indicates that my view is correct. The book is no scholarly tract and therefore has no bibliography and footnotes, but there is a lot of research behind it.
How do you keep your narrative exciting? 
The story of Dolet’s life is exciting in itself. The times were “interesting” in the Chinese sense—unsettled, violent, with the French Gallican Church (of Rome) desperately trying to maintain the absolute authority it had gained during the late Middle Ages. Luther had posted his 95 theses on the cathedral door of Wittenberg in 1517 (Etienne Dolet was born in 1509) and the reform movement had spread like wildfire. Etienne, who was studying law at the University of Toulouse, saw one of his professors burned alive at the stake, accused of Lutheran heresy, and his revulsion set him on the path that would ultimately guarantee his destruction. Simply telling this story competently enough kept my narrative exciting. 
Do you have a writing schedule? Are you disciplined? 
I do my best to write after breakfast for at least two hours, then after supper as long as I feel like. The writing session the following morning begins with editing what I wrote the previous day, which acts as a springboard for continuing my story. At night, if I am on a roll and my Muse is with me, I often write furiously until 2:00 AM, which, since I always get up latest at 8:00 AM (often by necessity earlier) makes it necessary for me to take a nap in the afternoon. Generally speaking, I have finished my research before I start writing, so I can write for long stretches at a time. This way, once I settle down to writing a book, I can finish it in a few months, say 3-6, depending on its difficulty. The preliminary work is what takes a long time: researching in libraries and archives here and abroad. Yes, I would say that I am disciplined. 
Do you have a website or blog where readers can find out more about your work? 
My website is www.florenceweinberg.com. I describe all my books there and print an excerpt of each, so anyone interested can see at once whether they want to read on. The book has a link to my publisher, Twilight Times Books, where the reader can quickly order the book, or they can go to www.amazon.com  or www.barnesandnoble.com, or to any local indie bookstore to order my books, which are available both in e-book and trade paperback form. Twilight Times Books is a small but traditional publisher with very high standards, and has been written up twice in Publishers Weekly as an exemplary small press. 
What is your advice for aspiring authors? 
As I said before, you need to be disciplined. You need to have a large vocabulary and use the English language correctly. So, read, read, read. Set up a time and a special place to write every day. Have at least a general idea of your plot before you begin, but don’t outline everything. If you do, your protagonists won’t have the freedom to lead you in unexpected directions. They will do that if you let them, and usually, they improve the book. Edit your own work, then pass it on to at least two friends who won’t be afraid to tell you what they think is wrong. Listen to their critiques. If possible, join a critique group. I belong to one and have profited enormously from the interaction. Go to writers’ conferences and network. Get to know other authors. If there are agents there, make appointments and talk to them. They may be your ticket to getting published. Most of all, write, write, write! 
George Orwell once wrote: “Writing a book is a horrible, exhausting struggle, like a long bout of some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand.”  
Writing is an obsession, a compulsion without which you cannot live. So far, Orwell is right. But, unless your Muse deserts you, or if you have chosen to write about something that becomes loathsome to you, you should not suffer as he apparently did. After all, he was writing about horrible, depressing subjects. On the contrary, I find writing — when it goes well — to be the greatest joy I have experienced; an exultation. If I were never recognized, never published, never read, it would still be worth it. Even when the writing hits a hum-drum patch, it is still a pleasant occupation. I suppose one’s reaction to the writing life depends upon one’s character. I tend to be optimistic and happy even in bad times. So, my readers, my fellow writers, I wish you all happy dispositions and joy in your writing, and as I just said, the important thing is that you write, write, write!