Jenny
Jaeckel grew up in Berkeley and Ukiah of Northern California, has lived in Mexico,
Spain and
currently lives in British Columbia
with her husband and daughter.
She holds a Bachelor of Arts in Creative Writing from The Evergreen State College, a Master of Arts in Hispanic Literatures from the University of Massachusetts at Amherst. She is a certified interpreter and translator, and has taught Spanish at three universities. She is the author and illustrator of three graphic memoirs. For the Love of Meat is her first book of fiction.
She holds a Bachelor of Arts in Creative Writing from The Evergreen State College, a Master of Arts in Hispanic Literatures from the University of Massachusetts at Amherst. She is a certified interpreter and translator, and has taught Spanish at three universities. She is the author and illustrator of three graphic memoirs. For the Love of Meat is her first book of fiction.
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Title:
For the Love of Meat
Author: Jenny Jaekel
Publisher: Raincloud Press
Pages: 162
Genre: Short Stories/Light Romance/Historical
Author: Jenny Jaekel
Publisher: Raincloud Press
Pages: 162
Genre: Short Stories/Light Romance/Historical
For the Love of Meat combines
whimsical and surreal illustrations with engaging, intimate encounters that
explore the depths of human experience. Unique and diverse in setting, and with
touches of magical-realism, these nine stories will tug at the strings of the
wandering, romantic heart, setting it delightfully ablaze.
In Wander
the Desert, Sister Aurelia, a nun from the early 20th century, finds herself stranded in the
Mexican desert with nothing but a few cobs of corn and a stray horse who
becomes her faithful companion. In Stumble and Fall, we meet Dara, a young Londoner hungry
for adventure who, unwilling to settle for the safety and comfort of home,
travels to Vancouver, city of immigrants, where a handsome stranger entices her to
take a leap into the unknown. The Two explores the tender bond between two
young growing up in 1940s Philadelphia, who are as inseparable as light and shadow. As one of the girls
tragically becomes ill, the impact on the other shows how true connections of
heart and spirit are not bound to time and place. And Mémé, set in Haiti in the 1800s, is told from the stunning perspective of a slave
who, as a child, witnesses the brutal murder of her mother, and survives
through her connection to her brother and the natural world.
Jenny Jaeckel’s compelling storytelling takes us across the world
and through the ages, with remarkable insight and soul-moving moments, when
paths cross and time unfolds. Her language, imagery and attention to detail
plunge the reader into these memorable lives, soaking us in tales of adventure,
courage, love, loss, longing and all the hope in between.
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Tell us a little
about yourself.
I’m a writer and
illustrator from (the hippie communes of) Northern California, currently living
in Victoria BC with my partner Chris and our 11 year old child Asa. I really
love books, both reading and creating them, and my biggest creative heroes are
writers and graphic novelists. My comics colleague Josue Menjivar once said, as
we sat at a table at a comics arts festival in Vancouver, “I want to go around
to every artist here and ask them: why do you do this?” Seriously, why
do we do this? I don’t have an answer, but I ponder the question a lot.
When did you begin
writing?
I suppose I began
writing with some seriousness when I was 25, and as a craft it’s been evolving
since. I’m 45 now and it took me a long time to feel like I had some maturity
as a writer, and it also took me a pretty long time before I felt like I had
something of substance to say. I was a book-oriented person from very young,
but I was definitely no early bloomer as a writer.
Describe your
writing process. Do you plot or write by the seat of your pants? When and where
do you write?
My stories
generally begin with some kind of seed, an idea or an image, a character in
some kind of setting. I go in with an inner flashlight and try to see what else
is there, and from there another clue emerges, or an event. I try to get to
know my characters by feeling around. As I get to know them and their world a
plot emerges. Then usually the plot shoots ahead and I go stumbling along
behind, trying to catch up until I get to the end, and, boom! The story is
written. Then I go over it from start to finish (since I often write scenes out
of order) and fix it up. Then, just before I send it to one of my editors or my
publisher, I wonder: Does this suck? Because at that point, even though
I have believed the story was good all along, I have no idea!
Can you tell us
about your most recent release?
My newest book is
a collection of nine short stories with random illustrations called For the
Love of Meat. It’s a bit of a trip around the world and through time, since
the stories take place in seven different countries and three different
centuries. Each story is unique, but they all share elements of theme,
sometimes magic, sometimes humor, and all reflect turning points in the lives
of the characters.
How did you get
the idea for the book?
I always think in
terms of whole books, so when I started writing the stories for For the Love
of Meat, I wanted to play with some similar themes. Readers might notice
references to the Mediterranean in several stories, bits of magic showing up in
odd places, and pivotal moments in the lives of the characters. Each story,
though, began with a different idea, such as something I once saw when
travelling, a snippet of a dream, or just a random image that floated up in my
mind.
Of all your
characters, which one is your favorite? Why?
It’s funny how
characters become like intimate friends. Perhaps my favorite in this book is
Nelie (short for Cornelia) Hubbard, a young African American girl living in
Philadelphia in 1949. Nelie is gifted with something like the second sight, and
in the story she is possibly about to lose the one person she is closest to in
all the world. She has an exceptionally loving family, though, which carries
her through the experience. She is a very special person and she plays a very
special role in her family and community.
Which authors have
inspired your writing?
Edith Wharton,
Merce Rodoreda, Toni Morrison, Eduardo Galeano, and J.D. Salinger, to name a
few. They are (or were) absolute masters of their craft, geniuses of
imagination, and incredible social observers/commentators. I bow at their feet,
and just try to learn from their work.
What projects are
you currently working on?
I am currently working on a novel, House of
Rougeaux, about members of one family in generations that range from the
late 1700's to 1964, and takes place in the Caribbean, Montreal, New York and
Philadelphia. It is historical fiction, which has required a lot of research,
but magical too, and the individual stories tie into the larger familial story.
What advice would
you offer to new or aspiring authors?
Go for it! Also,
seek out other writers to talk to and trade feedback with. It’s really helpful
to have peers who also want to do this strange thing called writing, whether
that’s a class, a group, or just one other person. Writing buddies unite!
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